This Drifting Poo Was Far Too Symbolic! These Are the Television Letdowns of the Past Year.
Looking back, we reflect on the television landscape of the past year, a handful of shows emerge not for their excellence, but for their notable failures. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this love/hate spin-off? Plagued with woeful writing, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to justify its existence. Briefly, as the third series began, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last season. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was simply too symbolic. Yet, fans certainly had a hoot picking apart every single “wtf?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't release a small sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was almost the smallest of this drama's problems. The subject of a very rare no-star review, it was hard to know where to start enumerating the flaws. The laughably leaden dialogue? The tedious veneration of wealth and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt borderline malicious? Suffice it to say “all of the above” and forget about this series again. Except, a new season has been ordered, so we’re likely going to have to.
The Charlie Sheen Documentary
Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to endure proximity with this charming but flippant narcissist.
The Supercomputer Drama
Of course we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.
MobLand
Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.
In truth, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the ignominy of having to indulge unconvincing dialects. But there were many other problems. Primarily that it was just really boring; a dispute over narcotics territory between various London picaresques which felt a bit basic.
With Love, Meghan
Considering the degree to which she provokes the ire of certain ostentatiously enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various forays into twee homemaking as intentional provocations. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-acceptance. But for some reason, this documentary series opted not to say them. Rather, the experience was like reading a marketing brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.
The Inheritance
It had the potential to be the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a programme that was straining desperately to emulate something way beyond it.
Too Much
How do you succeed a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt icky.
The Sketch Show Return
Not good enough to be ‘patchy’.
Given the shrewd recruitment of talented emerging comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A total mess? Very much so.
The Maths Genius Thriller
We love the lead actor … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? No! This international thriller about government agencies targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality renowned for sexual exploits as she undertook her biggest challenge yet. What on earth would possess her? What we craved was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.